Métal Intégral - Review / LIS ER STILLE

Original, but without excess!

Approximate translation of the review

The Collibrois the 3rd album of the Danes of LIS ER STILLE , after The Construction Of The Amp Trainin 2006 and Apathobvious in 2007. Formed in 2004 byMartin BYRIALSEN(song, piano and keyboards), T ue Schmidt RASMUSSEN (guitars), Asbjorn HELBOE (low) andJon GOTLEV(battery), the group chose s' to impose any limit as for l' writing of their compositions.

But no limit wants to say only The Collibro dark in any artistic anarchy, quite to the contrary. Articulated around d' an omnipresent piano and keyboards, wrapped by graciles melodies, these 12 compositions, from a few seconds to more than 12 minutes, go and come in atmospheres where l' electric storm côtoie of the acoustic lulls. The guitars and the rhythmic one follow this advance d' writing, at the same time dramatic and major, bringing l' energy Rock (described asPost-Rockin the biography) with l' together ( Recalling The Color ). The singer modulates to him also his stamp of voice, pointing out the singularity d' oneMatthew BELLAMY( MUSE) or d' oneJimmy GNECCO ( OURS).
In addition to this energy Rock , The Collibros' venture musicalement on the grounds d' one Pop English, from MUSE toPULP( Send In The Scouts, Shards Of The Ending), while passing through the Pop intimist of the Icelanders of SIGUR ROS. A certain progressive energy is also felt, with in point of test card PINK FLOYD, PORCUPINE TREE, evenA.C.T (voice/piano), with the liking of the 12 titles (The Real Children, The Painted). And of the symphonic and orchestral passing fancies bring a certain theatricalness to this album ( All The Blood, In The Seed,Beneath The Broken Country).

With a form d' originality contained, but without excess, LIS ER STILLE walks us, with freshness, in its musical world where creativity, qualifiable d' Avant-gardist, is his principal leitmotiv.

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